Georgie's CrumbsThe scars lie in zigzags across my throat. I don't remember the knife that made them, and they're not the point of this story; Annie is, and I'm mentioning them because she never asked about them. I loved her for that. Instead, when she found that I always played extras at the drama club because there were days when I couldn't speak in anything but a whisper, she taught me how to mime. I spent hours practicing in their dusty living room, swaying to the clatter of Georgie's nails on the piano keys. Georgie plays piano like Annie rides horses.
I still find the memory of her down by the old dirt road, where he put Georgie's piano. I turn my head and catch the scent of the wind, the way the air felt when she smiled, the way the dirt tasted when I stumbled off the horse and she caught my hand and brought me up beside her, drew me up to the sky.
I sometimes wonder what she'd have done if I'd been on the ground that day. I drew up Rook before the corner because I wasn't bold like Annie, didn'
Odyssey into 2012 - Chapter 8: The Tokyo LoopThe eighth gate is white mist. Kaylin slams open the door, Zephyr lurching inside her, and Darus, lizard-quick, slips inside.
"Get out," she hisses. She isn't afraid any more.
He sneers. "Don't be stupid, kitling. You left Tokyo through this gate, like always. Opening it restarts the process. It's an endless loop. Destroy the gate and finish it. I'm tired of fighting –"
Murderer! Liar! Traitor!
Kaylin rips Zephyr through his mind. He slumps, white and shaking, and she draws out the truth. "You sealed the gates to weaken me, so I'd be easier to kill. But you had another plan in case I managed to open them. Destroying the final gate would kill me – Zephyr's not meant for that." She trembles. "Earth – this Earth, in the time loop – wouldn't stand the shock. But it would carry you out. You and the real Earth might survive, if the shock doesn't escape too."
"I would survive."
"You'd risk everything for that! You selfish –"
Darus spreads hi
As some of you may or may not know, I am a little bit obsessed with traditional folk songs and music. Most of these songs that you hear are lovely, but very cis-white-straight-male-able-bodied-etc. centric. So this is a new project that I've started, to compile (because I believe there must be some old trad songs out there), to edit (because some only need a little tweaking and it's always good to see things from a different perspective) and to write (in the traditional style) folk songs that are diverse!
What do I mean by diverse? I am thinking of intersectionally feminist, LGBTQIA+-inclusive, disabled-inclusive, people-of-all-races-inclusive songs. Things that you don't hear about so often in folk.
This is NOT a project just to collect feminist folk songs (i.e. songs about straight white cis women empowering themselves). These songs are great and are not excluded from this, but there IS an established feminist folk canon. This project is to be heavily focused on LGBTQIA+ people, disabled people and ethnic minorities. (And any other minorities/underrepresented groups that my brain has missed out.)
I want to welcome anyone and everyone to this project, regardless of how much time/support they give and regardless of what experience they're coming from!
PEOPLE WE WANT: folk song experts, programmers, performers, singers, writers, academics, translators, artists, people who can help promote this, and anyone who is interested!
I'm really excited about this project and I would love people to get involved, so please join, share, follow and spread the word! Thank you so much!
The wiki can be found here, and the Facebook group can be found here.
Thank you!!!